Tuesday, October 26, 2021

The Flash (1990) - Review and Analysis

The Flash debuted in 1990 on CBS as TV's answer to the 1989 Batman film. It started life as a treatment for a superhero show in 1988. The project, pitched by executive producers Danny Bilson and Paul De Meo, was called Unlimited Powers. The premise followed a team of four superheroes (The Flash, Green Arrow, Dr. Occult, and a man made of rock called Block) that would cease using their powers by government order after the U.S. and Russia created a "Limited Powers Act" to help promote world peace. The Flash would be one of those heroes and would refuse to give up his powers. CBS loved the idea of a superhero show but told the producers to use only one hero because of cost concerns. 

Bilson and De Meo chose The Flash. There was a problem though. DC wanted to promote Wally West as The Flash because, by 1990, Barry Allen, the 2nd Flash, had died in the Crisis On Infinite Earth's saga that closed out the Bronze Age. Wally was formerly Kid Flash, Barry's sidekick, but the producers hated Wally as The Flash. So, compromise was reached. This new show would use Barry Allen as The Flash and combine the character with aspects of Wally. Barry Allen, the police scientist, would have Wally's red hair and need to eat a lot of food to maintain his metabolism. They also wanted the show to be dark, urban and dramatic. They used the Batman movie as a template for how the show would look. Art-deco buildings and vintage cars were merged with current technology to give the series a timeless quality.    
The search was on for a great cast. Bilson and De Meo tested more than fifty actors for the lead role. Eventually, John Wesley Shipp, an Emmy award-winning soap opera star, was cast. He didn't know anything about comic books or The Flash and had to do a lot of research. At first, when he was told about the project, he declined, as he didn't want to be seen in tights. After reading the script, he was impressed enough to audition. Shipp has a lot of charm as Barry Allen and plays the role with such confidence and sincerity that you constantly root for him. This is how a superhero should look and act on screen. 
Amanda Pays was cast as Tina McGee, a scientist and love interest for Barry who was then Wally's girlfriend in the comics. Alex D
ésert played Julio Mendez, a character created for the show, that served as Barry's lab partner. While both Amanda Pays and Alex Désert are fun to watch, they lack the charm of a well-rounded cast when compared to later superhero shows like Lois and Clark but, if given enough time to develop I'm sure they would have been stellar.
One of the special and most remembered things about this show is the Trickster cameos, played famously by Mark Hamill, before he became even more famous for his role as The Joker on Batman: The Animated Series. Here, Mark Hamill has fun in his role as the psychotic villain and, by his own admission, he even lobbied for the part. The Trickster episodes are some of the most fun episodes of the series entire run. 
Famed comics artist and Rocketeer creator, Dave Stevens, drew the concept art for the Flash costume. 
The costume was a driving force in getting the show off the ground because, without a credible costume, this show wouldn't be taken seriously. Having seen what Warner Bros. had done with both Superman: The Movie in the 1978 and taking cues from the then-new Batman film, Bilson and De Meo knew that the Flash suit could make or break the series. They knew they didn't want spandex as it wouldn't accentuate the human form or offer a heroic look. They also wanted to deliver a movie quality superhero costume on a TV budget. After wrestling with CBS, who wanted The Flash to wear a gray sweatsuit without any superhero motifs and no mask, Bilson and De Meo compromised. They would get the red Flash costume that they wanted, but The Flash couldn't wear any yellow boots. 
So, after enlisting award winning costumer Robert Short, famous for his work on Star Trek: The Motion Picture (1979), a prototype costume was created out of latex. They used various techniques such as flocking, sculpting, and painting to create a suit with a unique muscular texture. Eight suits were made at a total cost of nearly $1 million USD. The suit itself was very hot and claustrophobic to wear. John Wesley Shipp lost some weight in the suit at first and considered seeing a shrink for his claustrophobia until accommodations were made. Cooling vents were installed in the suit to keep the actor cool and his time in the suit was more limited. As difficult and expensive as it was to bring the Flash suit to screen, it looks amazing for 1990 and, in my opinion, remains one of the best superhero costumes ever produced for any production.

After six weeks of filming (and nearly $6 million), the 90-minute TV pilot debuted on September 20th, 1990 and was a resounding success. The show ran for a season but after twenty-two  episodes, the series was not renewed for a second season. That's most likely because of it being an effects heavy show, expensive to produce, and it faced stiff competition in the form of The Simpsons and The Cosby Show. It's a real shame that this show wasn't renewed because, by all accounts, the second season was supposed to be even more effects heavy with a bigger budget. The season two pilot was supposed to be a two-part feature that had multiple classic rogues of The Flash in a plot to take down the Scarlet Speedster. 

Once the dust settled, multiple episodes of this series were edited together for three direct-to-video movies. The Flash (1990), The Flash II: Revenge of The Trickster (1991), and The Flash III: Deadly Nightshade (1992). Later still, John Wesley Shipp (and a few of his fellow cast members) returned to the new Flash show in 2014. Here, Shipp played Barry Allen's dad, Jay Garrick (the Golden Age Flash), and even cameoed as his own character, The Flash, in a crossover episode with Arrow and Supergirl
This show is fondly remembered by many older superhero fans and Flash fans. For fans of the newer Flash series, this might be a welcomed surprise. It's a fun watch with a lot of heart. Highly recommended. 

Wednesday, October 20, 2021

Lois and Clark (1993-1997) - Review and Analysis

Debuting in 1993, Lois and Clark: The New Adventures of Superman was a television show that attempted to further the Superman legend by injecting romance into its super heroics. It ran for four seasons on ABC and followed the immediate Post-Crisis comic book continuity established by John Byrne et al. This was the first incarnation where Clark was the real identity and Superman was just a heroic persona.

Lois and Clark is a very entertaining show. The first season is the best, largely because of the dynamics between John Shea's Lex Luthor and Dean Cain's Superman. The plots of the show vary greatly. Action heavy stories give way to suspense. There's occasional cheesy comedy to balance out the romantic drama between the title characters, but it's the romance that really drives the show. The best episodes, for me, are when Superman's humanity is explored. The chemistry between Teri Hatcher and Dean Cain really draws you in and keeps you invested. The magic of the show really comes down to the cast.

Dean Cain is the best live-action Clark Kent ever. His Clark is the most fleshed out of any live-action version. Every time he is on screen he just exudes charm... Cain's Superman however, while very serviceable for a romantic adventure show, left a lot to be desired because there was very little to distinguish Cain's Superman from his Clark. For my money, the best Superman still is Christopher Reeve.

Teri Hatcher delivers the definitive portrayal of Lois Lane. She defines every one of Lois' traits perfectly... the tough, brash, no-nonsense reporter. She's also very charming and sexy. If any of the other Lois' compare to her, the one that springs to my mind is Dana Delaney from Superman: The Animated Series in the 90's. Teri just nails Lois Lane perfectly.

Lane Smith as Perry White is just a complete character. Lane's Perry is very likable, funny, charming, and a genuinely good person who cares about his reporters. He's got the Elvis obsession that comes from the modern Perry from the comics. While I like John Hamilton (from the 1950's Superman show) and Jackie Cooper (the Reeve movies) in their roles, they don't get the rounded character of Perry as much as Lane Smith does. To be fair though, Lane Smith had four seasons to develop Perry into a real character.

Then there's Jimmy Olsen... Michael Landes did a good job with what he was offered but didnt get enough time to shine. He was good in the role but had he been given more time to develop, he probably would have been great. When I think of Jimmy Olsen, it's Justin Whalin that I think of. Whalin gave us the Daily Planet photographer as I'd always wanted to see him... curious, mischievous, a modern teenager.

Eddie Jones and Kay Kalin were great as The Kents. They seemed like the kind of parents (or grandparents) that you'd wanna have... just two very genuine and caring people... not too bland and old fashioned either, which was nice; a modern update on Ma and Pa Kent.

And now we come to my favorite part of the show: John Shea. His Lex Luthor was absolutely the most vile character and the perfect Lex Luthor. Arrogant, charismatic,  narcissistic, and evil. His hatred for Superman is fiery. There were moments in that first season where he scared me. John Shea is the best Lex Luthor in live-action. He gave an absolutely stunning performance. No other Luthor compares in my mind, though Clancy Brown's Lex is the best animated version.

Tracy Scoggins as Cat Grant was interesting. Rather than giving fans the character from the books, they rewrote her as the office gossip. Tracy was great in the role, even if it was a different character. They axed her after the first season and she deserved better. They could have given her a credible exit, at the very least.

I also liked the character of Jack from Season 1 and would have preferred if he'd stuck around for the rest of the series. He was a cool addition to the cast.

Beyond the cast is the writing and production design. Lois and Clark features pretty conventional writing for a 1990's superhero TV series that turned into a romantic comedy/drama. The plots are fun and try to juggle human drama, light comedy, and comic book/sci-fi themes. Even if the budget doesn't always allow for the greatest effects work, the show holds up. I also think the production design was stellar. Dean Cain's Superman costume looked great on screen and every setting, from the Kent farm to the Daily Planet, even Luthor's penthouse, was spectacular. 

Lois and Clark is a charming show that leaves a romantic mark on the Superman mythos. It's dated by today's TV standards but is a fine addition to the Superman franchise. I personally find it more enjoyable than shows like Smallville and Superman and Lois because I'm not interested in a teenaged Clark or Superman with children. I'd recommend this show to any Superman fan or anyone who wants to see where Superman was at in the 1990's.