My Favorite Classic Spider-man Stories

Listed below are just a handful of what I consider to be the definitive classic Spider-man stories. This includes any story from the so-called "real" Marvel Universe, a.k.a the Earth-616 Universe. This does not include any "Ultimate" stories, alternate-Spider-men etc. (sorry Miles). This is just an excuse for me to geek out on one some of my favorites.

Spider-man: Visionaries by John Romita Sr. - This trade paperback collection features several stories, drawn and handpicked by arguably (he may be tied with Steve Ditko) the greatest Spidey artist himself, John Romita Sr. Featuring iconic moments from Spidey's classic era, including the first appearance of Mary Jane Watson, the "Spider-man No More" story, the first meeting between Spider-man and Doctor Strange and many more. All stories written by "The Man" himself, Stan Lee!

Spider-man: Sinister Six - The trade paperback of this story reprints the first appearance of The Sinister Six in Spidey's first annual (The Amazing Spider-Man Annual #1 (January 1964) and then continues with The Return of the Sinister Six, published nearly 30 years later in The Amazing Spider-Man #334–339. The original story by Lee and Ditko features Spidey's greatest rogues (Dock Ock, Electro, Kraven the Hunter, Mysterio, the Sandman, and the Vulture) teaming up to take revenge on our beloved wall-crawler. Through some clever wit and quick thinking, Spidey brings down their scheme. It's follow-up tale, under the team of David Michelinie and Erik Larson, brings in a rebranded Six (Kraven died and was replaced by Hobgoblin). The story puts Spidey into a compromising situation, while also juggling his shaky relationship with MJ, at this point his wife. It's one of Michelinie's best stories.

Spider-man: Death of the Stacys - This is the set of twin-stories that most people hail as the "greatest Spider-man saga ever told." It truly is Spider-man's turning point! If you want to understand the character of Spider-man, this is the one story you should read. The death of Captain Stacy was one the most intense deaths for Peter after Uncle Ben. To then compound that with the death of the teenager's first love, Captain Stacy's daughter, Gwen, ramps up the pathos and drama to the Nth degree. It cements both Doc Ock and the original Green Goblin (Norman Osborn) as Peter Parker's two greatest nemeses. Gwen's death is Spider-man's moment of realization that his life will never really be without great conflict. The Captain Stacy story was written by Stan Lee and drawn by Romita Sr. Gwen's death was written by Gerry Conway and cements him as one of the greatest Spider-man writers of all time. Art was done by Gil Kane (probably the 3rd greatest Spidey artist after Ditko-Romita Sr.)      

Spider-man: Return of the Burglar - Written by Marv Wolfman with art by Keith Pollard, Al Milgrom, and Sal Buscema, the story told in Amazing Spider-man #193-200 brings Peter Parker full circle, back to the day he caught the burglar that killed Uncle Ben, back to his earliest time wearing the webbed mask. It features a somewhat odd Kingpin interlude, the first appearance of The Black Cat and then it all evolves into a decent Mysterio story. There's a reasonable amount of repetition and it does drag a little though compared with some of the earlier stories it's a lot tauter. Pete is really put through the paces here and, ultimately learns an important lesson, that you can't really ever escape your past. 

Spider-man: Blue - This story is the best of the "Marvel Color Books", written by Jeph Loeb with art by Tim Sale. It is a retelling of Peter Parker's reaction and response to The Green Goblin's murder of Gwen Stacy. It's a touching romantic tale. Well-paced and heartfelt, it balances action and drama carefully and helps Peter resolve the loss of his first love.

Spider-man Vs Doctor Octopus - This is a trade paperback reprinting the best Spidey/Ock encounters ever. It's another cheat because it features multiple stories. Featured are Amazing Spider-Man # 3 (Doc Ock's first appearance), 54-56 (reprinted as MARVEL TALES) and 130-131 and Annual 15. It was collected in conjunction with the Spider-man 2 movie. This book gives you every major important Doctor Octopus story from the silver and bronze age. After the origin story (one of the best Spider-man stories by Stan Lee) Ock swindles May Parker into almost marrying him (the start of the legendary and wonderful Octopus/Hammerhead war by Conway/Romita) and convinces an amnesia-ridden Spider-man to work for him (this story was adapted as an episode of Spider-man: The Animated Series in the 1990's). Plus: the debut of the short lived and comical Spider-mobile. Great work by the legendary John Romita Sr. on art and wonderful writing by Stan Lee and Gerry Conway. And then there is the annual... Annual #15 is one of my favorite Spider-man stories of all time. It's Spider-man vs The Punisher and Doc Ock. This was written by the delightful Denny O'neil and remains one of the few Frank Miller drawn Spider-man stories.

Amazing Spider-man #241: "In the Beginning"- Published in 1983, this story reveals the origin of Adrian Toomes, The Vulture, one of Spidey's earliest and greatest villains. It's a compelling origin and culminates in a very entertaining battle between Spider-man and Vulture. It's beautiful to look at to, considering John Romita Jr. drew the story. It also happens to be written by one of the greatest Spidey scribes ever, Roger Stern.  

Spider-man: The Origin of The Hobgoblin - Probably the greatest mystery story ever published featuring the Wall-Crawler, this one introduces one of Spidey's most memorable foes, The Hobgoblin. Spidey fans in the early 80's had been begging to see the return of Norman Osborn as The Green Goblin. Roger Stern and John Romita Jr. gave them something new and different. A new "Goblin" who steals all of Norman's tech. This is one of the greatest Spidey stories of the 1980's and, the only trouble with it is, you don't find out the actual identity of this new Goblin, until much later, and under a new writer. Stern would return later to pen a story that features the true identity of Hobgoblin 

Spider-man: Nothing Can Stop the Juggernaut -  This two-issue Spider-Man tale, again by the Roger Stern/John Romita, Jr. team was published in The Amazing Spider-Man #229–230. It is the ultimate underdog story. Juggernaut verses ol' Webhead features Spidey using his wits to stop Juggernaut, despite never really being able to defeat him. It's action-packed, humorous and inspirational.

Amazing Spider-Man #248: "The Kid Who Collects Spider-man"- Published  in 1984, it's yet another Roger Stern story, this time with art by Ron Frenz and inks by Terry Austin, in which Timmy Harrison, a terminally ill child and Spider-man's biggest fan, meets Spidey and reminds Spider-man why what he does is so important.  

Spider-man: Best of Enemies - Spectacular Spider-man #200 shows just how mad Harry Osborn has gone after losing his father, inheriting the Green Goblin role and finally confronting Peter Parker over his deep-seeded resentment. Peter has always felt very guilty over what happened to his best friend and things finally come to a head in probably the best story published in 1993. J.M DeMatteis always writes some of the most psychological comic book stories. This is no exception. The gorgeous art by Sal Buscema only helps.   

Spider-man: Kraven’s Last Hunt - Another J.M. DeMatteis masterpiece, this is the darkest Spider-man story ever told. It's less about Spidey and more about obsession, particularly the obsession of Kraven The Hunter.  Published as "Fearful Symmetry" in 1987, it shows Kraven desperately trying to understand Spider-man's motivation. It culminates in the the final battle between Kraven and Spider-Man. SPOILER ALERT: Kraven dies. Originally published in Web of Spider-Man #31–32, The Amazing Spider-Man #293–294, and The Spectacular Spider-Man #131–132 during Spider-man's dark age. The art by Mike Zeck is delicious and DeMatteis doesn't forget to lay the psychological drama on thick either. 

The Adventures of Tintin: Europe's Greatest Adventure Comic Strip

The Adventures of Tintin, as created by Belgian cartoonist, Herge, is, in my estimation, the greatest adventure comic strip to ever come out of Europe. First appearing in a 1929 issue of Le Petit Vingtième (a French magazine called The Little Twentieth), the character of Tintin and his supporting cast, would go on to become a legendary myth in Europe. The series spans 24 albums (or volumes) and was originally published between 1929 and 1976. 

The early stories feature colonialist attitudes and give off negative stereotypes and connotations in regards to The (former) Soviet Union, Africa and its people, and early twentieth century American life. They were written by a very young man (Herge was only 23 when he began Tintin) who was politically motivated in his early years; very Euro-centric and perhaps even xenophobic. As he matured however, he began to tell some amazing adventure stories. 

Today, the Tintin strip is regarded by comics aficionados as probably the greatest children's comic of all time (to European audiences anyway) but during it's heyday it was read by both children and their parents. In America, this strip's greatest rival is probably Carl Barks' Duck comics (Uncle Scrooge, Donald Duck etc.). Now, what makes them great is not just the deliciously detailed art by Herge, but also the brisk pacing and sprawling sense of adventure that the character and his supporting cast always seem to go on. 

Tintin is a young Belgian reporter who, along with his dog, Snowy,  a white Fox Terrier, becomes embroiled in dangerous cases in which he helps solve crimes, recovers lost treasure or generally just saves the day. Throughout many of his adventures he is aided by Captain Archibald Haddock, a drunk fishing boat captain, the absent-minded Professor Calculus, and the incompetent detectives known as Thomson and Thompson, who provide much of the comic relief in the series. Herge also used real life events and real people to influence and enhance his stories. Famous figures sometimes appear in the strip (such as Al Capone in Tintin in America). World War II also served as an infuence during the war years. 

The series twenty-four volumes are listed below. My favorites, the ones I feel tell the best stories, are in bold.

1. Tintin in the Land of the Soviets - (Tintin au pays des Soviets) (1929–1930)
2. Tintin in the Congo - (Tintin au Congo) (1930–1931)
3. Tintin in America - (Tintin en Amérique) (1931–1932)
4. Cigars of the Pharaoh - (Les Cigares du Pharaon) (1932–1934)
5. The Blue Lotus - (Le Lotus bleu) (1934–1935)
6. The Broken Ear - (L'Oreille cassée) (1935–1937)
7. The Black Island - (L'Ile noire) (1937–1938)
8. King Ottokar's Sceptre - (Le Sceptre d'Ottokar) (1938–1939)
9. The Crab with the Golden Claws - (Le Crabe aux pinces d'or) (1940–1941)
10. The Shooting Star - (L'Etoile mystérieuse) (1941–1942)
11. The Secret of the Unicorn - (Le Secret de la Licorne) (1942–1943)
12. Red Rackham's Treasure - (Le Trésor de Rackam le Rouge) (1943)
13. The Seven Crystal Balls - (Les Sept boules de cristal) (1943–1946)
14. Prisoners of the Sun - (Le Temple du soleil) (1946–1948)
15. Land of Black Gold - (Tintin au pays de l'or noir) (1948–1950) ¹
16. Destination Moon - (Objectif Lune) (1950–1953)
17. Explorers on the Moon - (On a marché sur la Lune) (1950–1953)
18. The Calculus Affair - (L'Affaire Tournesol) (1954–1956)
19. The Red Sea Sharks - (Coke en stock) (1956–1958)
20. Tintin in Tibet - (Tintin au Tibet) (1958–1959)
21. The Castafiore Emerald - (Les Bijoux de la Castafiore) (1961–1962)
22. Flight 714 to Sydney - (Vol 714 pour Sydney) (1966–1967)
23. Tintin and the Picaros - (Tintin et les Picaros) (1975–1976)
24. Tintin and Alph-Art - (Tintin et l'Alph-Art): Unfinished work, published posthumously in 1986, and republished with more material in 2004.